Have you ever read Heidi Holland’s Dinner With Mugabe? It was published in 2012 by a Zimbabwean journalist and columnist who worked with Illustrated Life Rhodesia magazine.
The book is a very penetrating
portraiture of Robert Mugabe. It is a psychobiography of a freedom fighter,
liberal lawyer and revolutionary who later became, first Prime Minister and
later, President of Zimbabwe. The book’s title was a product of a 1975 sudden
call from a Holland friend.
He wanted her to arrange dinner
and meeting with a friend she had no idea who he was, in her home in Salisbury,
now Harare. “It wasn’t until we stood under the veranda light and looked up as
we greeted each other that I recognised him. It was Robert Mugabe,” she wrote
in the Preface to the book.
Mugabe had a train to catch
that night and intermittently looked at his wrist-watch. He had just come out
of an eleven years prison and was about to escape through the border into
Mozambique to begin war against white rule. Holland, who later became a leading
authority on the enigmatic mind of Robert Mugabe, drove Bob that night to the
railway station.
For over 30 years, Holland observed Bob morph from a guerrilla-leader-in-waiting into a sadistic and grotesque dictator. Page by page, the psychobiography uncovers how tyranny took hold of Mugabe and the roots of his ruthlessness. It gradually unfolds the horrific consequences of his presidency of Zimbabwe. In all this, Holland reveals that Mugabe had a more complicated persona than his fearsome image the world had.
Heidi’s psychobiography
unwittingly shows that emergence of leaders is through two routes. First are
the ones whose portraits are known, pre-power, ab-initio and without
psychoanalysis. Such leaders the Yoruba call the e-ti- m’oko-l’óko-ikún-kí-e-tó-gbin-èpà-si
type. Ikun, the land squirrel, is a rodent smaller than the widely known
species called ọ̀kẹ́rẹ́. It lives on the ground as against trees that ọ̀kẹ́rẹ́
is known by.
This rodent is renowned for its
obsession with devouring nuts in a groundnut plantation. If a farmer knew that
the plantation he was about to cultivate was in a squirrel-infested field, and,
yet sowed his seeds in it, when he whimpers at its devastation by squirrels,
Yoruba blame him for his stupidity. He should have known that a fatal failure
awaited him; what the Yoruba, again, call “ofo l’ehin oja.”
The second kind of leadership
is Mugabe’s, as profiled by Heidi. At the outset, they wear the garb of
innocence. Suddenly, these leaders transmute into wearing the visage of Dracula.
They then pounce on the people with their ferocious teeth.
When life is as sour as 2024
Nigeria, the Yoruba compare existence to the taste from licking the sour seed
of Iyeye. Iyeye is however Janus. As sour as its seeds are, its generational
benefits are legends of folklores. Botanically named spondias mombin, in
English, Iyeye is the hog plum. In Igbo, it is Ijikara while Hausa call it
Tsardar masar. Its seeds are sour-sweet but the medicinal barks and leaves are
used for inducing labour in women.
In those days in Iwo, old Oyo
State, I picked two songs that still ring in my head till today. As pupils of
Ajangbala D.C. Primary School, we sang, while marching from the “Assembly” to
our classes, “Odíderé eye Ìwó, Àlùkò eye Òsà, Lékelèké eye Òsun, ìwà re wù mí,
màá bá e lo…” (Parrot, the bird totem of Iwo people; Woodcock, bird of the Sea
and Cattle egret, bird of the Osun River goddess, your characters fascinate me
and I will go with you, wherever you go…).
The other was mostly sung by
our mothers in eulogy to the Iyeye. They sang, “Ewé ìyeyè, igba ni o, owó tí mo
ní, kò ‘ì tó o, omo tí mo ní, kò ì tó o, ewé ìyeyè igba ni” (as the leaves
sprouting out of the Iyeye are two hundred-fold, (may) my wealth and the
children I will birth be similar in number; the ones I have are not enough).
While the Iyeye song espouses and extols the multiplicity of children that a
good tree begets, the two songs, taken together, speak to character and
pedigree.
The first extols the
desirability and aesthetics of character of birds. Odidere, for instance, also
called Ayékòótó, (the world scoffs at the truth) is a friend of man and the
Iwo. It is domesticated and is said to understand and speak the language of
man. It mirrors the purity of mind that its trustworthiness connotes. Such
trust is reflected in the deep Yoruba saying that, Odidere should remember the
tenets of the agreement it entered into with its master (Odíderé, t’ó bá
j’oungbé, má j’oùngbé o!). The birds’ sterling character binds, like a twine, a
whole people in friendship with the Parrot, Woodcock and Cattle egret birds.
Unlike Iwo, Sea and Osun River’s friendship with the above birds, our land has always been unlucky to be in besotting friendship with the Abyssinian hornbill bird. Yoruba call this bird Àkàlàmàgbò or Àkàlà. Àkàlà is a bird in whose veins, metaphorically, blood does not flow. It is audaciously bold in doing the unthinkable. It enjoys eating sumptuous sacrifices, food of the gods. These sacrifices are products of the innermost recess of pains suffered by those who offer them. Àkàlà also feasts on carrion, corpses of human and carcasses of non-human beings.
How did Nigerians get here? It
is as a result of the fatal consequences they always suffer due to their
uncritical profiling and friendship with their leader-tormentors. They once
wanted a man who didn’t have shoes while growing up… Again, they desired a
Spartan. They got one whose brain was as vacant as a Venetian graveyard.
Lastly, they mis-read, mis-profiled and mistook Akala for the Odidere, the
latter a bird whose sense of character imposes remembrance of agreement. Have
they forgotten that the Vulture comes from a family of sacrifice and cadaver
eaters (ìran Igún níí je’bo, ìran Àkàlà a j›òkú)?
Why did they think they could
make the corpse walk, apologies to James Hadley Chase, by reshaping the fatal
consequences of their own hypocritical estimation? They deified a Capon whose
heart is as cold as mutton as a potential Messiah. Now, they are wailing. Right
by their bedside is their choice, the one they knew so much about, yet so
little of the fatal damage that his pedigree they knew so well could do on
their lives.
On Thursday, as fuel was being
funneled inside my car, I ‘prayed’ for everyone who brought this tragedy on
Nigerians. To me, my blood was the petrol from the expensive nozzle
majestically flowing into the car. It was N1,000 a liter! It is a very
distressing time to be a Nigerian. I instantly remembered that, on October 10,
1998, almost 26 years ago, in Yaba, Lagos, with Nigeria locked in a similar
chokehold of petrol scarcity, I asked today’s bird of carrion, who, pretending
to be Odíderé, had just flown back to Iwo, what his impression of Nigeria was.
In his usual cockney, he
thundered: “Retrogression, rolling backwards, on reverse gear; that is my
impression. Sad! That people are still queuing at the petrol stations, spend
more productive hours at the petrol stations than in economic sector. It is a
very sad story… You see poverty, glaringly on the faces of the people, in a
nation that has so much resources to thrive on. It hurts.” I wrote this and
more in my offering of December 10, 2023.
If poverty and suffering
(glaring on the faces of the people) can be measured, I wonder which would be
plentier – the ones now or the gnashing of teeth under the military in 1998?
But, in unmistakable warnings, we foretold this tragedy. I did in a viral piece
published on January 16, 2022. We were Heidi Holland and we literally had
dinner with the harbingers of the present pains.
Unlike Holland, whose
portraiture of Mugabe was post-mortem, ours was ante-mortem. We were demonized
as prophets of doom. Nigerians said they had discovered, right on their
thumbnail, a great builder who could turn ruins to Ruby. His bio, they said,
spoke volumes. Didn’t we know he built Òkun (the Sea) and Òsà (the Lagoon) from
nothing and made both a glittering expanse of aquatic modern wonder?
In their excitement, they even
foretold life in abundance and plenty under the incoming builder. So they
excitedly sang “L’áyé Olúgbọ́n…”, a historical song sung in the old Oyo Empire
during the reign of Aláàfin Abíọ́dún. The song was to buttress their anger at
what they called our prophecy of doom.
Indeed, during the reign of King Abiodun of Ọ̀yọ́-Ilé in the Empire, his
government typified the height of an empathetic and benevolent administration.
It prioritized the people’s welfare.
There was plenty. There was
peace, economic growth, prosperity and development. People praised and sang the
goodness and huge financial stability that Oyo witnessed under him. So, women
were renowned for singing this hate-laced, scurrilous attack song against the
opposition to Abiodun: “During the reign of King Olugbon, we had such plenty
that we bought and sewed seven exotic scarves; during the reign of King Aresa,
we bought and sewed six scarves; during the reign of Abiodun, we bought and
sewed velvet, silks and other pricey clothing materials…” (L’áyé Olúgbọ́n, mo
dá’borùn méje, e ó maa ko yìi l’órin, l’áyé Arèsà, mo dá’borùn méfà, e ó maa kò
yí l’órin, l’áyé Abíódún, mo ra kókò, mo rà’rán baba aso, e ó maa kò yí
l’órin…” They ended their mockery-laced song by calling us lazy drones who only
foretold hunger and pain. They asked us to carry our baggage and seek comfort
in another land: “Àf’òle l’ó le pé ilè yìí ò dùn; eni bá pé ilè yìí ò dùn, k’ó
yára k’érù s’ókò, k’ò gb’oko lo.”
We didn’t relent in telling
them how wrong they were. We told the people that no one can build, nor renew
any skyscraper of hope on a cracked pedigree. The “Oba Abiodun” they were bringing
to sit on the Rock was actually Alaafin Aole. You can check who the original
was. He would steal, plunder and despoil farmlands plus their future. He was a
lover of the good things of life and would go on a saturnalia with your
patrimony, we warned.
Today, the land tastes like a
sour Iyeye fruit (Ìlú kan gógó). As our elders say when there is famine and
maladministration, our birds chirp in awkward manner; our rats squeak in ways
they had never done hitherto. Our situation is almost synonymous with the
biblical Samaria where parents entered into consensus to eat their children.
Hope is the scarcest on the horizon.
The people suffer needlessly. They queue in
serpentine, snake-like kilometers-length to buy fuel that oozes out of their
own soil. Nothing seems to work. Yet, the people in power live recklessly the
proverbial fàmílétèntutó life. They fly glittering jirigin sama, a $100m-worth
ACJ330-200, VP-CAC (MSN 1053), while their people wallow in abject squalor and
poverty. Those who daily eat eggs forget easily that the cock that lays the
eggs suffer anal pains. In our face, they flaunt the latest Cadillac Escalade
and tell us to go jump inside the lagoon. A country where the groaning of the
people does not grate the ears of their leaders is gasping for breath. Being a
Nigerian at this time is like wearing a thorn-filled crown and carrying the
heavy biblical Jesus’ cross.
To worsen matters, subterfuge
and a coterie of lies are official responses to our anger. When you are seen as
one who heaves a tall ladder (àbà) to the furrows in order to climb a heap
(ebè) you are an Alágàbàngebè – a serial liar – so say the Yoruba. A person or
government which lives a life of deceit; one who daily tells scores of lies, is
labeled Ajíp’ogúnn’ró.
Jamaican reggae music sensation,
Peter Tosh, was at the emotional crossroads we are today as Nigerians. A very
religious Rastafarian, Tosh preached redemption through his songs for decades,
yet none came. He was often brutalized by the police. So, in frustration, he
asked a rhetorical question in the track, Jah Se No,“Must Rastas bear this
cross alone and all the heathens go free?” No. There is redemption. History
tells us so. To ram home the fact that no evil goes unpunished, the Yoruba say
nemesis is next door for every enemy of the people, Ìtàdógún kù sí dèdè, ojó
elésìín k’òla.
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